Name the Yorkshire Born Art Collector Who Founded a School of Art in London Felix
| James Ward | |
|---|---|
 Self-portrait by James Ward, 1848. | |
| Born | (1769-ten-23)23 October 1769 London, England |
| Died | 17 Nov 1859(1859-eleven-17) (anile ninety) Cheshunt, Hertfordshire, England |
| Nationality | English |
| Known for | Painting, Engraving |
| Movement | Landscapes, Romanticism |
| Awards | Royal Academician (R.A.) |
| Influenced by | George Morland, Rubens |
James Ward RA (23 October 1769 – 17 Nov 1859) was a British painter, peculiarly of animals, and an engraver.
Biography [edit]
James Ward - Venus Rising from her Couch -
Born in London, and younger blood brother of William Ward the engraver, James Ward was influenced by many people, but his career is conventionally divided into 2 periods: until 1803, his single greatest influence was his brother in police George Morland; from that time, it was Rubens. From 1810 or and then, Ward started to pigment horses within landscapes; slightly afterwards, he turned to very large-scale landscapes, of which Gordale Scar (Tate, London), completed in 1814 or 1815 and depicting Gordale Scar (Yorkshire) as an instance of the sublime, is considered his masterpiece and a masterpiece of English Romantic painting.[1]
Ward devoted much of the period 1815–21 to the painting of a gigantic work titled Allegory of Waterloo (now lost); this neither was much praised nor brought in the revenue Ward had hoped for. The experience may have embittered him, and the deaths of his first wife and a daughter were among other tragedies. Like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children.[2]
1 such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett family of Wynchnor Park, Staffordshire. I of Ward'due south all-time-known portraits was his Theophilus Levett hunting at Wychnor, Staffordshire of 1817.[3] Another was Ward'southward 1811 painting entitled The Reverend Thomas Levett and his favourite dogs, cock-shooting. Ward also painted a group portrait of 3 Levett children — John, Theophilus and Frances Levett.[4] (For the Levetts, see link to the Ward showroom at the Yale Center for British Art.)[5]
Family [edit]
James was the son of James and Rachael Ward. He was first married to Mary Ann Ward (no known relation) in 1794 and after her death to Charlotte Fritche in 1827 (supposedly a relative of his first wife). James and Mary Ann Ward had several children including:
- Matilda Louisa Ward, who married the artist John Jackson.
- George Raphael Ward, b. 1798, d. 1879[6]
James Ward was the paternal grandfather of the painter Henrietta Ward and the great-gramps of Leslie Ward, the Vanity Fair caricaturist.[1]
In 1830, Ward moved to Cheshunt (Hertfordshire) with his 2d wife, but he continued to work, particularly on religious themes. A stroke in 1855 ended his work, and he died in poverty. He is buried at Kensal Green Cemetery.[7]
Style [edit]
James Ward was one of the outstanding artists of the mean solar day, his atypical style and great skill prepare him higher up nearly of his contemporaries, markedly influencing the growth of British art. Regarded as one of the neat animal painters of his time, James produced history paintings, portraits, landscapes and genre. He started off as an engraver, trained by William, who afterwards engraved much of his work. The partnership of William and James Ward produced the best that English art had to offer, their great technical skill and artistry having led to images that reflect the grace and charm of the era. He was admitted for membership into the Majestic Academy in 1811.[8]
Marengo 1824 (Individual collection)
The Levett Children. John, Theophilus and Frances Levett, Wychnor, Staffordshire, Nov 1811
One of Ward'southward best-known paintings, The Deer Stealer, was deputed in 1823 for the sum of 500 guineas by Ward's patron Theophilus Levett. When the piece of work was finished, Levett pronounced himself delighted with the results, and consequently raised the remuneration to 600 guineas. Subsequently, Ward was said to have been offered 1,000 guineas for the painting past 'a nobleman,' which he declined. The painting now hangs at Tate in London.[nine]
Run across also [edit]
- Listing of British artists
References [edit]
- ^ a b Chisholm 1911.
- ^ The Sporting Magazine, or Monthly Calendar of the Transactions of The Turf and The Hunt and Every Other Diversion Interesting to the Homo of Pleasance Enterprise & Spirit, Vol. 19, New Series, Printed for J. Pittman, London, 1827. 1827. Retrieved 4 February 2012.
- ^ "The New York Times, Grace Glueck, July 30, 2004". New York Times. xxx July 2004. Retrieved 4 February 2012.
- ^ "Group Portrait of John, Theophilus and Frances Levett, James Ward, Nov 1811, Christie's". Christies.com. Retrieved 4 Feb 2012.
- ^ Babbage, F. (1900). Animal Painters of England from the Year 1650, Walter Gilbey, 1900. Vinton & Visitor. p. 232. Retrieved 4 Feb 2012.
theophilus levett.
- ^ "Patrick T Nisbett". Familytreemaker.genealogy.com. xv August 1996. Retrieved four February 2012.
- ^ Paths of Celebrity. Friends of Kensal Green Cemetery. 1997. p. 103.
- ^ "Art Review: Dashing Earth of Animals as Regal as Their Owners, Grace Glueck, The New York Times, July 30, 2004". The New York Times. thirty July 2004. Retrieved 4 Feb 2012.
- ^ A Great British Collection, sothebys.com [ expressionless link ]
- Attribution
Chisholm, Hugh, ed. (1911). . Encyclopædia Britannica (11th ed.). Cambridge University Press.
Further reading [edit]
- Beckett, Oliver. The Life and Piece of work of James Ward, RA. Book Guild, 1995.
- Farr, Dennis. James Ward 1769–1859. London: Arts Council, 1960.
- Frankau, Julia. Eighteenth century artists and engravers: William Ward A.R.A., James Ward R.A.: Their Lives and Works. London: Macmillan, 1904.
- Fussell, G. E. James Ward R.A., Creature Painter 1769–1859 and His England. London: Michael Joseph, 1974. ISBN 0-7181-1242-3
- Grundy, Reginald. James Ward, R.A.: His Life and Works with a Catalogue of his Engravings and Pictures. London, 1909. (An extra number of The Connoisseur.)
- Nygren, Edward J. James Ward'southward "Gordale Scar": An Essay in the Sublime. London: Tate, 1982. ISBN 0-905005-93-7
- Murray, P. & L. (1996). Dictionary of art and artists London: Penguin Books. ISBN 0-14-051300-0. p. 557.
- Opening address, The Art of James Ward, Yale Eye for British Fine art, New Haven, Conn., May 20, 2004, curator Angus Trumble [ permanent dead link ]
External links [edit]
 | Wikimedia Commons has media related to James Ward. |
- "James Ward". Sothebys. Archived from the original on 7 August 2016. Retrieved xiii February 2012.
- James Ward at the Yale Centre for British Fine art
- Grouping Portrait of John, Theophilus and Frances Levett
- 100 artworks by or after James Ward at the Art U.k. site
- Scientist of the Day-James Ward at Linda Hall Library
batistafrenjudipt.blogspot.com
Source: https://en.wikipedia.org/wiki/James_Ward_(artist)
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