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Whats My Age Again Trap Cover

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1999 single past Blink-182

"What's My Age Again?"
WhatsMyAgeAgain.jpg
Unmarried by Blink-182
from the anthology Enema of the Country
Released April thirteen, 1999
Recorded Jan–March 1999
Genre Pop punk
Length ii:26
Label MCA
Songwriter(s)
  • Mark Hoppus
  • Tom DeLonge
Producer(s) Jerry Finn
Blink-182 singles chronology
"Josie"
(1998) 		"What'south My Age Again?"
(1999) 		"All the Small Things"
(2000)

"What'due south My Historic period Once more?" is a song by American rock ring Glimmer-182. Information technology was released in April 1999 as the lead single from the group'south third studio album, Enema of the State (1999), released through MCA Records. "What's My Historic period Again?" shares writing credits betwixt the ring'south guitarist Tom DeLonge and bassist Mark Hoppus, but Hoppus was the primary composer of the song. It was the band'south first single to characteristic drummer Travis Barker. A mid-tempo pop punk song, "What's My Age Once again?" is memorable for its distinctive, arpeggiated guitar intro.

The vocal lyrically revolves around the onset of age and maturity, and the failure to implement changes in one'southward beliefs. Hoppus declined to label the vocal every bit autobiographical, just admitted that he spent his twenties acting immature. The trio recorded the song with producer Jerry Finn. It was originally titled "Peter Pan Complex", an allusion to the popular-psychology concept, but the record label institute the reference obscure and adjusted the championship. The vocal's signature music video famously features the band running nude on the streets of Los Angeles. It received heavy rotation on MTV and other music video channels.

It became one of the ring's all-time-performing singles, peaking at number two on Billboard 's Modernistic Rock Tracks chart in the U.S. for ten weeks. The song placed at number three in Italy and number 17 in the United Kingdom. Primarily an airplay hit, the song was the band'south first to cross over to pop radio, hitting number 58 on the Billboard Hot 100. The song received positive reviews and has been called a classic pop punk rail; NME placed it at number 117 on its listing "150 All-time Tracks of the Past 15 Years" in 2012.[ane]

Background and writing [edit]

Bassist and vocalist Mark Hoppus initially equanimous the song equally a joke.

Blink-182, consisting of bassist Mark Hoppus, guitarist Tom DeLonge, and drummer Scott Raynor, formed in the early on 1990s, and by the end of the decade, had reached commercial success with their 2nd album, 1997's Dude Ranch. Its lead unmarried, "Dammit (Growing Upwardly)", became one of the most-played U.Southward. modern stone hits of 1998,[2] sending its parent anthology to a golden certification and bringing the members newfound notoriety and wealth. With his first accelerate from major-label MCA, Hoppus purchased a home in the ring's hometown of San Diego, California. Hoppus developed "What's My Age Again?" while sitting on the floor and playing guitar in his kitchen/living room.[3] He was attempting to play the song "J.A.R." by Green Day, which has a distinctive intro on bass guitar. While practicing playing the riff, Hoppus came up with a new song derived from his failure to perform the part correctly.[four]

Though he initially developed it as a vulgar joke vocal,[5] he felt information technology had potential as a regular tune. Hoppus claims information technology took him five minutes to write. He later presented the vocal to the band while rehearsing at DML Studios in Escondido, California, where they had booked fourth dimension for two weeks to write new songs.[6] Before that yr, Raynor had been expelled from the grouping and replaced with percussionist Travis Barker, previously of the ska-punk act the Aquabats. He and DeLonge found the limerick agreeable and further developed it in the rehearsal space. The story in the song is non strictly autobiographical, but its fundamental theme resonated with Hoppus, who spent his twenties past his own access "acting like a jackass teenager".[7] Barker agreed, later commenting: "[Mark] was a grown man merely kept acting similar a kid."[6] Many Blink songs middle on maturity—"more than specifically, their lack of it, their attitude toward their lack of information technology, or their eventual wide-eyed exploration of it" co-ordinate to writer Nitsuh Abebe.[8]

Limerick [edit]

"What's My Age Once again?" is credited to Tom DeLonge and Mark Hoppus.[9] Though Barker helped write the songs on Enema of the Country, but Hoppus and DeLonge received songwriting credits, as Barker was technically a hired musician, not official ring fellow member.[10] The vocal is two minutes and twenty-eight seconds long. The vocal is composed in the key of F-sharp major and is set in fourth dimension signature of common fourth dimension with a driving tempo of 158 beats per minute. Hoppus' vocal range spans from C3 to Fiv.[xi] It follows a I–V–6–IV chord progression, mutual across several genres of music. The band employ the progression in numerous other singles; music educator and writer Dan Bennett claims the progression is sometimes called the "popular-punk progression" considering of its frequent employ in the genre.[12] The song is incredibly brief compared to most singles; within one minute, nearly 2 total verses and a chorus have been completed, and it in total runs ii minutes and xx-six seconds.[iii]

The song opens with a catchy, arpeggiated guitar part, post-obit the vocal'south chords in playing the root of each chord. The part has been considered tricky to perform; given its quick, articulated nature, it can be difficult to skip over the strings properly.[3] Hoppus's bass line, which has been compared to the Pixies' song "Debaser",[13] situates on the root notes of each chord.[12] The vocal's first verse detail an intimate relationship gone awry. Hoppus sings of wearing cologne in hopes to impress a girl on a weekend date. Upon returning abode, foreplay ensues, during which the protagonist begins watching boob tube.[14] This prompts his insulted partner to leave, leading into the vocal'due south chorus, in which Hoppus sings that "nobody likes you when y'all're 23." Hoppus was 25 when he wrote the song, and only included the lyric to rhyme. The vocal utilizes power chords in its chorus, and substitutes the arpeggiated intro for palm-muted power chords in the succeeding verse.[3]

Each chorus is lyrically distinct, which was i of Hoppus's original goals; he felt this arroyo kept the song interesting and advanced the story in a creative way. Hoppus had once read that "the best art is the development of familiarity": an creative person introduces an idea, a listener connects with it, and the creative person slightly alters the original idea to retain a familiar feeling.[iii]

Recording and production [edit]

"What's My Age Again?" was the trio's first single with drummer Travis Barker.

After further evolution, the group presented it to producer Jerry Finn. A veteran engineer, Finn came to fame mixing Dark-green Twenty-four hour period's breakthrough album Dookie (1994). Finn was suggested by the label as an option for producing Enema of the Country; the band got along with him immediately, and continued to work with him on their future projects. Finn would suggest and brand adjustments where necessary, though in the case of "What's My Age Again?", he had fiddling notes. By the time Hoppus presented the vocal to his bandmates, the start verse and chorus were written, with its second poetry and bridge section needing further work. Hoppus and DeLonge crafted an instrumental bridge that went on for eight measures, which all agreed felt too long.[3] Finn assisted in shortening the section, and the group recorded a demo at DML Studios.

Within the new year, the group recorded the vocal proper. The drums on Enema of the State were tracked at Mad Hatter Studios in Northward Hollywood, a space once endemic past jazz musician Chick Corea. Hoppus remembered that Finn was meticulous in recording the kit, spending hours on microphone placement, besides as picking compressors and at which charge per unit they would run.[3] Barker recorded his pulsate portions, as well as the rest of the album's twelve songs, in eight hours.[15] From there, Hoppus and DeLonge recorded their bass and guitar tracks at multiple studios throughout Los Angeles and San Diego.[9] The band brought in session musician Roger Joseph Manning Jr.—best known for his career in the band Jellyfish and work with Beck—to add keyboard parts in the background of the vocal.[16]

The song originally concluded afterward its final chorus. While recording, Hoppus liked how the arpeggiated chord progression continued over the rhythm guitar line in the last chorus, and wished to extend its length to highlight this chemical element. In the pre-digital recording environment, this required the squad to "bounciness" the mix from the analog tape recorder (a 24 track 2-inch tape) to another record, and splice the recordings together. With recording complete, the vocal was sent to engineer Tom Lord-Alge, who mixed the song at his South Beach Studios facility in Miami Beach, Florida.[17] Lord-Alge had had previously remixed the Dude Ranch singles "Dammit" and "Josie" for radio, and would piece of work with the group oft in the future. Lord-Alge added subtle touches, including a panning effect for the title phrase in the last chorus.[3]

Release and chart performance [edit]

The song's title originally referenced fictional children's grapheme Peter Pan.

The working title for the song was "Peter Pan Complex",[eighteen] referencing the popular psychology concept of an adult who is socially immature. Executives at MCA Records were uncertain that listeners would connect with the title, given it goes unmentioned in the song'southward lyrics. Previously, the label had appended parentheses to its two stateside singles from Dude Ranch: "Dammit (Growing Up)" and "Josie (Everything'southward Gonna Exist Fine)". The label was also concerned about litigation from the Walt Disney Company, who held rights to the name post-obit their moving-picture show adaption.[3] The ring disliked the suggestion,[19] but given the creative freedom MCA had afforded them throughout recording, agreed to the change. Hoppus later conceded the new championship made more sense and "feels right".[three] Band management and label executives saw a strong unmarried in "What'due south My Historic period Once more?" although DeLonge felt otherwise: "I didn't understand information technology, because up to that point, we hadn't had a big single."[19]

Commercially, "What's My Historic period Again?" became i of the ring's all-time-performing singles. Information technology was picked as the lead single from Enema of the State. It was outset serviced to radio in Apr 1999, and premiered on KROQ-FM, an influential Los Angeles alternative station. Hoppus remembered the group were finalizing mixing the anthology when the song debuted.[20] The song did all-time on Billboard 's Modern Stone Tracks chart; the song starting time entered the chart during the week of May 8, where it debuted at number 21.[21] It start hit the top five during the calendar week of June 5,[22] and hit number 2 on July 24,[23] where it remained for ten weeks behind the Red Hot Chili Peppers' "Scar Tissue".[24] The song crossed over to mainstream radio in mid-1999, where it debuted at number 71 on the Billboard Hot 100 on July 17.[25] It later peaked at number 58 in the result dated October 23.[26] The song had previously peaked at number 51 on the Hot 100 Airplay chart on September eleven.[27] In the United Kingdom, the vocal was released twice, get-go on September 20, 1999, and again on June 26, 2000, following the success of "All the Small Things.[28] [29] The 2000 re-release peaked at number 17 on the UK Singles Chart.[30]

Critical reception [edit]

The truth is that it was always a footling strange for grown men to be writing songs well-nigh prom night and other loftier-schoolhouse pitfalls, but "What's My Historic period Again?" works and so well considering it tackles that strangeness head-on. Aside from featuring Blink's most recognizable riff this side of "Dammit", the vocal is an honest, relatable assessment of what information technology feels like to exist dragged kicking and screaming into adulthood. It'southward rock and roll equally escape, yes, merely also every bit a kind of backpedaling. Let the stone bands of the '70s champion sex and drugs; these guys simply desire to remember what it feels like to be kids again.

—Collin Brennan, Upshot of Sound [31]

Carrie Bell at Billboard deemed the song a "peppy punk anthem"[7] while Spin columnist Jeffery Rotter called it an "ideal tonic for back-to-school nausea."[32] A Kerrang! author called the vocal "ridiculously infectious,"[33] while the New Musical Express (NME) derided the vocal equally "more mindless, punk-pop guitar thrashing from the world's electric current favorite American brats ... on the plus side, the vocal — much like Glimmer-182'southward career, we promise — but lasts for two-and-a-one-half minutes."[30] Stephen Thompson, writing for The A.V. Order, complimented its tricky sensibility, remarking, "you'll never go broke creating an anthem for young post-adolescents, even working within a well-worn genre."[34]

Afterwards reviews accept subsequently been positive. Jon Blisten of Beats Per Minute deemed information technology one of the record's "finest songs," calling it a "twisted, self-depreciating exam of man-children."[35] In 2014, Chris Payne of Billboard called it "the quintessential Blink manifesto — the story of a xx-something who still acts like a child."[36] The website Issue of Audio, in a 2015 top 10 of the band's best songs, ranked it as number six, with writer Collin Brennan observing that its championship is "the question underpinning the unabridged Blink ethos".[31]

Music video [edit]

Filming [edit]

The opening shot depicts the band running nude downwardly 3rd Street in Los Angeles.[37]

The music video for "What's My Historic period Over again?", directed by Marcos Siega, features the band running in the nude through the streets of Los Angeles, as well as through commercials and daily news programs.[38] It was filmed shortly after completing the album, and was co-directed by Brandon PeQueen. Siega and PeQueen adult the idea from the ring's onstage antics; Barker would often strip down to his boxers due to oestrus, while Hoppus would sometimes disrobe entirely, with but his bass guitar covering his genitals.[39] Siega had known the band for many years at that signal, having seen them play small clubs years earlier.[40] He partially credited the idea to a tardily-dark talk show segment about a streaker. Hoppus and DeLonge were immediately receptive to the thought; Barker less so. "My brain kept going to the sort of anti-establishment punk rock ethic that I associated them with. But not in an aggro way. They always came beyond to me every bit doing it with a wink," Siega afterward recalled.[xvi]

The group wore flesh-colored Speedos for most scenes.[41] The prune features a cameo appearance by porn star Janine Lindemulder, the model featured on the cover of Enema of the State.[42] Barker remembered that motorists "kept staring at united states and honking their horns," and that the entire filming took about fifteen hours. "They nigh got into accidents," Hoppus told Rolling Stone.[43]

Popularity [edit]

The video offset began receiving airplay in early May 1999, debuting on U.Due south. television channels MTV, MTV2 and The Box.[44] The video was MTV's second-nigh played video for the week catastrophe August 1,[45] and remained a pop video on the channel for over ii years.[46] The video was nominated for Best Alternative Video at the 2000 MVPA Awards,[47] but lost to Foo Fighters' "Larn to Fly".[48] The band referenced the clip at the 1999 Billboard Awards, which opened with a prune of the band streaking through Las Vegas,[49] as well every bit through appearances on Full Asking Live and the scripted sitcom Two Guys, a Girl and a Pizza Place.[50] Entertainment Weekly author Chris Willman called the video "ubiquitous".[14]

Marcos Siega, the video'due south director, in 2014.

The video gave the ring a reputation for nudity,[38] leading many critics to pigeonhole them every bit a joke human activity.[14] "It became something of an albatross equally band members grew up," wrote Richard Harrington of The Washington Post.[50] "You know, when nosotros were filming the video for "What's My Historic period Again?" the whole naked thing was only funny for like 10 minutes. Then, I was the guy standing naked on the side of the street Los Angeles with cars driving by me giving me the finger and shit. Information technology's funny watching the video now, merely at the time, it stopped being funny ten minutes in, and it definitely wasn't funny three days into it," recalled Tom DeLonge.[38]

This reputation would atomic number 82 the band members to take command of their marketing and image, as DeLonge afterwards commented in 2014:

We were so naïve that we would run around naked, but they'd make information technology all sleeky and put it on posters and make it look like we actually were some kind of erotic boy band or some shit. We were coming from the punk scene, only the characterization fashioned a whole thing around us that we didn't even empathise; nosotros were just kinda caught up in it. So it took us a little bit to dig out of that and come dorsum to who we really were. And it'southward difficult to practise that once people spend millions of dollars making y'all into something visually that we weren't.[51]

Legacy [edit]

"What's My Age Again?" has endured as amongst the band's most popular songs, and has widely been considered a watershed moment for pop punk as a genre. Several of the grouping's contemporaries ranked the song among the most genre'south well-nigh influential, including Jack Barakat of All Fourth dimension Depression, Pierre Bouvier and Chuck Comeau from Simple Plan, and Tyson Ritter of the All-American Rejects.[52] Rolling Rock 'south Nicole Frehsée wrote that, "For a new generation of emo fans and bands, Blink's irreverent, upbeat have on punk stone with hits like "What'south My Age Again?" and "All the Small Things" was hugely influential."[53] Twenty years after the vocal's release, Hoppus noted that fans ofttimes decorate birthday cakes on their 23rd altogether with the lyric "Nobody likes yous when you're 23", which he felt was an laurels.[3] The band later paid homage to the song'southward infamous video in the music video for their 2016 single "She's Out of Her Mind". The prune sees modernistic-day social media personalities running in the nude in Los Angeles. Lindemulder'southward place in the video was taken by actor and comedian Adam DeVine.[54]

The Hollywood Reporter 's Mischa Pearlman, in a review a 2013 concert by the grouping, wrote that the song "visibly infects every member of the audition. Considering it's a song that recalls the reckless abandon of youth, and the carelessness of growing up."[55] Although the magazine gave the song a scathing review upon its initial release,[30] NME placed it at number 117 on its listing "150 Best Tracks of the Past fifteen Years" nearly 13 years later on, writing, "Few songs capture the urge of wanting to human action stupid and exist immature too as this 2000 single does. [...] This is everything popular punk does well. Its guitar riffs seem to accept been soaked in Relentless and its chorus makes you want to bound around the room. It's been imitated thousands of times since, but nothing's come shut to this..."[56]

By the late 2000s, club promoters in the U.K. created nights based around lasting appreciation of the pop punk genre, including 1 named afterward "What's My Age Once again?", described as a night jubilant "pop-punk, youthful abandon and teenage riot".[57] British radio station BBC Radio 1 have a section on one of their shows named subsequently the single and using information technology every bit the theme vocal. Greg James originated the game on his drivetime show, and has moved it to The BBC Radio ane Breakfast Show. The game sees Greg pitted against an opponent, typically a young man Radio one DJ/presenter or glory guest. In the game, 3 listeners telephone in and talk to the competitors, who take information technology in turns to ask questions, so try to guess the listeners' age.

On March 26, 2019, the vocal was lauded by Princeton professor of music Steven Mackey during an interview between Hoppus and Mackey given at Princeton University.[58] Mackey praised the lyrics by maxim, "it'due south very much this portrait of this kind of 23 year former... Peter Pan complex", noting his enjoyment of the structure of the vocal, as well as its tone. Mackey stated, "after the 2nd chorus there's this instrumental break. And there'south a lot of instrumental breaks in blink, which I really like. This one in detail, it goes to a small-scale primal. All all of a sudden, it's kind of melancholy. And when they come out of that instrumental break, and I hear the rest of the words, it's sort of similar... I feel like, wow, was that a moment of reflection? So it'southward like, 'Ah, fuck information technology. Any.' Information technology has that feeling. It sort of deepens it for me."[59]

Mashup [edit]

"What'south My Historic period Again? / A Milli"
Unmarried past Glimmer-182 and Lil Wayne
Released August 23, 2019 (2019-08-23)
Genre
  • Pop punk
  • rap rock
Length 2:25
Characterization Columbia
Songwriter(southward)
  • Marker Hoppus
  • Travis Barker
  • Tom DeLonge
  • Dwayne Carter
  • Ali Shaheed Muhammad
  • Kamaal Ibn John Fareed
  • Shondrae Crawford
Blink-182 singles chronology
"Darkside"
(2019) 		"What'southward My Historic period Again? / A Milli"
(2019) 		"I Really Wish I Hated Yous"
(2019)
Lil Wayne singles chronology
"Be Like Me"
(2019) 		"What's My Age Again? / A Milli"
(2019)

In May 2019, the band recorded a live mashup of the song with hip hop artist Lil Wayne, to promote their joint headlining tour.[sixty] The track combines "What's My Age Again? and Wayne's 2008 single "A Milli". The duo afterward released a articulation digital single featuring a studio version of the mashup in August of that year.[61] The track features Matt Skiba, who replaced founding guitarist Tom DeLonge in 2015, performing bankroll vocals and guitar. A press release promoted the new version, which was released to promote the 2d leg of the aforementioned tour, as a "new accept on the rails."[62]

The Fader contributor Hashemite kingdom of jordan Darville noted that Wayne altered a lyric from his original verse, substituting the term "crackers" for "bitches".[63]

Credits and personnel [edit]

Original version [edit]

Credits adapted from the liner notes of Enema of the Land.[ix]
Locations

  • Recorded at Signature Sound, Studio West, San Diego California; Mad Hatter Studios, The Bomb Factory, Los Angeles, California; Conway Recording Studios, Hollywood, California; Big Fish Studios, Encinitas, California
  • Mixed at Conway Recording Studios, Hollywood, California; Southward Embankment Studios, Miami, Florida

Personnel

Mashup version [edit]

Credits adjusted from the YouTube video for "What's My Historic period Again?" / "A Milli". Barker is credited with songwriting on this edition, every bit opposed to his original credits for Enema of the Country.[64]
Personnel

Blink-182
  • Mark Hoppus – bass guitar, vocals, songwriting
  • Matt Skiba – guitars, vocals
  • Travis Barker – drums, percussion, songwriting

Boosted musicians

  • Shondrae Crawford – songwriting
  • Tom DeLonge – songwriting
  • Kamaal Ibn John Fareed – songwriting
  • Ali Shaheed Muhammad – songwriting
  • Lil Wayne – vocals, songwriting

Product

  • Matt Malpass – engineer
  • Rich Costey – mixing engineer
  • Chris Athens – mastering engineer

Charts and certifications [edit]

References [edit]

Footnotes [edit]

  1. ^ "150 Best Tracks Of The Past fifteen Years". Nme.Com. Retrieved Jan 12, 2012.
  2. ^ "The Year in Music 1998: Hot Mod Rock Tracks" (PDF). Billboard. December 26, 1998. p. YE-84.
  3. ^ a b c d e f g h i j k DeMakes, Chris (October nineteen, 2020). Chris DeMakes a Podcast. Ep. 21: Mark Hoppus discusses blink-182'due south "What's My Age Again?". Spotify.
  4. ^ Aniftos, Rania (October 10, 2020). "Blink-182'south Mark Hoppus Reveals the Light-green Day Song That Inspired 'What'south My Age Once more?'". Billboard . Retrieved November two, 2020.
  5. ^ "Blink-182: Inside Enema". Kerrang! (1586): 24–25. September 16, 2015.
  6. ^ a b Barker & Edwards 2015, p. 122.
  7. ^ a b Bell, Carrie (Baronial xiv, 1999). "The Modern Historic period". Billboard. Vol. 111, no. 33. p. 99. Retrieved June 1, 2014.
  8. ^ Nitsuh Abebe (September 25, 2011). "Sentimental Education". New York. Archived from the original on September half dozen, 2012. Retrieved September 5, 2012.
  9. ^ a b c Enema of the State (liner notes). Blink-182. U.s.: MCA. 1999. 11950. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ Barker & Edwards 2015, p. 119.
  11. ^ "Glimmer-182 What'due south My Historic period Once again? – Digital Sheet Music". Music Notes. EMI Music Publishing. Retrieved April 20, 2011.
  12. ^ a b Bennett, Dan (2008). The Total Rock Bassist, p. 63. ISBN 978-0739052693
  13. ^ "Record Club: Revisiting Blink-182′s 'Enema of the State'". Wondering Sound. October 14, 2014. Retrieved December 12, 2014.
  14. ^ a b c Willman, Chris (February 25, 2000). "Nude Sensation". Entertainment Weekly. New York City: Time Inc. (527). ISSN 1049-0434. Archived from the original on January 27, 2013. Retrieved January seven, 2013.
  15. ^ Barker & Edwards 2015, p. 123.
  16. ^ a b Siegel, Alan (July 31, 2019). "Don't Grow Up, Accident Upwardly: The Ascent of Glimmer-182". The Ringer. Archived from the original on July 31, 2019. Retrieved July 31, 2019.
  17. ^ Tingen, Paul (Apr 1, 2000). "Tom Lord-Alge: From Manson To Hanson". Sound on Sound.
  18. ^ Hoppus, Mark (2000). Glimmer-182: The Mark Tom and Travis Show 2000 Official Program. MCA Records. p. 14.
  19. ^ a b Browne, Nichola (November twenty, 2005). "Punk Rock! Nudity! Filthy Sex! Tom DeLonge Looks Back On Blink-182'south Greatest Moments". Kerrang!. London: Bauer Media Group (1083). ISSN 0262-6624.
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  23. ^ "Billboard Modernistic Stone Tracks - July 24, 1999". Billboard. Vol. 111, no. 30. July 24, 1999. p. 79. Retrieved June i, 2014.
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  25. ^ "Billboard Hot 100 - July 17, 1999". Billboard. Vol. 112, no. 29. July 17, 1999. p. 79. Retrieved June i, 2014.
  26. ^ "Billboard Hot 100 - October 23, 1999". Billboard. Vol. 112, no. 29. October 23, 1999. p. 79. Retrieved June i, 2014.
  27. ^ "Billboard Hot 100 Airplay - September 11, 1999". Billboard. Vol. 111, no. 43. September xi, 1999. p. 104. Retrieved June i, 2014.
  28. ^ "New Releases – For Week Starting 20 September, 1999: Singles". Music Week. September eighteen, 1999. p. 27.
  29. ^ "New Releases – For Calendar week Starting June 26, 2000: Singles". Music Week. June 24, 2000. p. 27.
  30. ^ a b c Shooman 2010, p. 69.
  31. ^ a b Dan Caffrey; Collin Brennan & Randall Colburn (February nine, 2015). "Blink-182'due south Peak 10 Songs". Consequence of Audio . Retrieved Feb xiv, 2015.
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  33. ^ Shooman 2010, p. 68.
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  38. ^ a b c Hoppus 2001, p. 97.
  39. ^ Barker & Edwards 2015, p. 124.
  40. ^ "Marcos Siega: The Rock Guy". MTV News. 2000. Retrieved March 5, 2015.
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  49. ^ Shooman 2010, p. 71.
  50. ^ a b Richard Harrington (June 11, 2004). "Seriously, Blink-182 Is Growing Up". The Washington Post . Retrieved Feb 25, 2014.
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  52. ^ Kaplan, Ilana (November 20, 2020). "10 Popular-Punk Artists On The Genre's Essential Tracks". Nylon . Retrieved October 22, 2021.
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Sources [edit]

  • Barker, Travis; Edwards, Gavin (2015). Can I Say: Living Big, Cheating Death, and Drums, Drums, Drums. William Morrow. ISBN978-0-06-231942-5.
  • Hoppus, Anne (October ane, 2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-4.
  • Shooman, Joe (June 24, 2010). Glimmer-182: The Bands, The Breakdown & The Return. Independent Music Printing. ISBN978-1-906191-10-viii.

External links [edit]

  • Music video on YouTube

batistafrenjudipt.blogspot.com

Source: https://en.wikipedia.org/wiki/What%27s_My_Age_Again%3F

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